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Written by Shauna
March Release - "You Took Advantage of Me"
“You Took Advantage of Me” is a show tune written by Rodgers and Hart and first made popular in 1928, making this the oldest song in the Chic catalog. (Sure hope I’m still this relevant when I’m 91.) Written for their musical “Present Arms,” this song was first sung by a couple who were formerly married, yet still had feelings for one another. That little data point brings a new perspective to some of the lyric.
From its beginning, the song has been sung and recorded by both male and female artists, with the first recording in 1928 and the most recent recording in 2019. (Okay, that one is ours, but there are numerous other recordings in the 21st century as well.) Notable recordings through the years include the likes of Judy Garland, Frank Sinatra, Ella Fitzgerald, Tony Bennett, Rosemary Clooney, Al Hirt, and even The Supremes. It should come as no surprise to anyone that our version was inspired by Linda Ronstadt’s recording with the Nelson Riddle Orchestra on her album, “Lush Life.”
Rodgers himself described the song as a “sassy and unregretful number,” and you’ll find that the melody quickly grabs you, enters the brain, and stays. Dancer response in early previews has been widely positive, and the feet certainly do start tapping when the music starts.
When it comes to these early standards, our go-to guy is Chic Staff Caller, David Mee. The first time I ever heard him sing, he was singing “Sinatra,” and his voice and style is a perfect match for this genre. The cut was particularly perfect for David with a title like "You Took Advantage of Mee." As always, he delivered an awesome vocal.
When you have a “sassy” song like this, the female vocal just has to go to Chic Staff Caller, Deborah Carroll-Jones. She has a way of taking on the character of the song and giving it the perfect voice.
CHIC 1052 in the male vocal range features the awesome vocal by David Mee.
CHIC 2052 in the female vocal range features the equally awesome vocal by Deborah Carroll-Jones.
To purchase, just head on over to the Chic Boutique for fast and easy mp3 downloads.
Introductory price is $7.50 and includes the music with and without melody, and the vocal cut.
Both are being sold separately since they were produced separately.
Click on the youtube links (to the left) for previews!
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Written by Shauna
February Release - "Baby, Now That I've Found You"
We’ve done something different with this release. While both the male and female range are based on the same song title, they are inspired by two very different versions. The male key is patterned after the original by The Foundations, and the female was inspired by the 1995 cover by Allison Krause.
“Baby, Now That I’ve Found You,” written by Tony Macauley and John MacLeod, was originally released in 1967 as the debut single for The Foundations. It wasn’t long before it took off, and quickly rose to number one on the British charts, climbing the Billboard Hot 100 to number 11 as well.
The song received new life in 1995 with a country makeover by Allison Krause, climbing the charts for a second time with a completely different sound. When Hunter Keller brought this version to my attention, I fell in love with it immediately, and plans to produce the singing call began. Rough tracks for both the male and female vocal ranges were prepared using this rendition as our inspiration.
As we were nearing completion of the female range track, I started hearing the original song on my oldies station. Likely a coincidence, but it was as if it was there, begging me to not be forgotten. The more I heard it, and I heard it often, the more I was convinced that it also needed to be a singing call. With the female track already in the can, the male track was the only choice for the makeover back to the original sound (sorry Hunter). Although we always produce the male and female tracks separately, sometimes with a slightly different guitar voice, this is the first time we’ve used the two keys to produce completely different arrangements of the same song.
When it came time to record the vocal, Scott Smith had embraced the song, and the new arrangement. A new grandchild for Scott, and recording deadlines for us, meant that Scott couldn’t get down to the studio to record his vocal. We packed up the equipment and met him at the California/Nevada state line (the halfway point) and recorded in a room at Whiskey Pete’s casino. As always, Scott was completely prepared, and did a fantastic job with his vocal before heading back north to Logan to meet his newest grandbaby.
Allison Krause is blessed with one of the most angelic voices on the planet. Recording a cover of anything she sings is an intimidating challenge. The average female voice does not have the range that Allison does, so this key has been adjusted (lowered) to match more of the female calling population. Although a challenge, I truly enjoyed recording the vocal for this beautiful song and arrangement.
CHIC 1051 in the male vocal range features the awesome vocal by Scott Smith with background vocals by Jimmy Mac and Shauna Kaaria.
CHIC 2051 in the female vocal range features the vocal by Shauna Kaaria.
To purchase, just head on over to the Chic Boutique for fast and easy mp3 downloads.
Introductory price is $7.50 and includes the music with and without melody, and the vocal cut.
Both are being sold separately since they were produced separately.
Click on the youtube links (to the left) for previews!
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Written by Shauna
January Release - "Hurt So Bad"
Our January 2019 singing call marks release number 50 for Chic Recordings! For this milestone release, we give a little nod to our inaugural release of “You’re No Good,” with “Hurts So Bad,” another power (you done me wrong) ballad by Linda Ronstadt.
“Hurts So Bad” was written by Teddy Randazoo, Bobby Weinstein, and Bobby Hart, and was first popularized in 1965 by Little Anthony & The Imperials. It hit the top ten in 1965, but the cover by Linda Ronstadt in 1980 was most successful version of the song, peaking at #8 on the Billboard Hot 100 in the spring of 1980. Linda's version served as the inspiration for our release.
Linda’s cover of the song featured a scorching guitar solo as part of the bridge, and we’ve done the same in the middle break of our release. Jimmy Mac did an amazing job capturing the sound of the solo originally played by Danny Kortchmar. It’s a testament to Jimmy’s musical abilities that he is able to capture it all in two separate keys!
Scott Bennett nailed the vocal for Chic’s inaugural release of “You’re No Good,” and then delivered two equally great vocals for our other two Ronstadt releases (“Just One Look” and “That’ll Be the Day”). There was no question that we would go back to Scott for the male vocal for “Hurts So Bad.” As expected, Scott nailed it again! Scott appears courtesy of Crest/Acme/Peak Recordings, and we sure appreciate his ongoing support of Chic.
While I had initially planned to record this vocal myself, I took a step back and realized that it would be a waste of the talent I have on the Chic staff if I didn’t give this power ballad to Patty Greene. Patty has the attitude, range, and power to nail this song, and nail it she did! Patty also made the time to get the vocal recorded with a very short lead time, allowing us to have the release ready on time. We’re very lucky to have her as part of the Chic team!
CHIC 1050 in the male vocal range features the awesome vocal by Scott Bennett.
CHIC 2050 in the female vocal range features the equally awesome vocal by Patty Greene.
To purchase, just head on over to the Chic Boutique for fast and easy mp3 downloads.
Introductory price is $7.50 and includes the music with and without melody, and the vocal cut.
Both are being sold separately since they were produced separately.
Click on the youtube links (to the left) for previews!
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Written by Shauna
November Release - "Here Comes That Rainy Day Feeling Again"
“Here Comes That Rainy Day Feeling Again” (The Fortunes) was originally released in May of 1971 and quickly climbed the charts. It’s a catchy song with a very simple melody. The “rainy day feeling” is compared to the sadness (and tears) that come with losing the one you love. The lyric is also hopeful that the loved one will return and the “rainy day will go away.”
The song has been sitting on Chic’s “possibles” list for a while, until two things pulled it off that list and on to the fast track for production. First, I received a message from Kim Oxendine telling me she had a “great idea” for a Chic recording. She was so excited about the idea and felt it was a great cut for Chic to tackle. It took very little coaxing from Kim for me to pull the production trigger. We had barely finished our conversation before I logged into the Clearing House and reserved the song for Chic Recordings.
The timing of Kim’s message coincided with the completion of Chic Recordings’ first Weekend Getaway. The weekend was held in Big Bear Lake, and scheduled for a time of year where there is typically no fear of rainy weather. Two weeks before the weekend, I checked the weather forecast, and all was clear. Ten days before, I checked again and cringed. Rain was in the forecast and scheduled to hit the Saturday of our dancing weekend. With much of the dancing scheduled for outdoors, my “rainy day feeling” was hitting in full force.
Very long story short, the weekend arrived and we had a beautiful night dancing under the stars on Friday night. Shortly after midnight, the rain came in, along with thunder and lightning. We refused to allow it to rain on our parade, moved the dancing inside for the day, and found refuge for the Saturday evening dancing at a local church with a large dance hall.
The event will go down in history as the first time all seven of the Chic Staff Callers were able to call together, and it was a huge success in spite of the rain. 12+ squares of dancers joined us for the event and we are already looking forward to next year…with NO rain! Come and join us!!!
CHIC 1049 in the male vocal range features my favorite caller, Vic Kaaria.
CHIC 2049 in the female vocal range features my vocal, with backgrounds for both provided by Jimmy Mac and myself.
To purchase, just head on over to the Chic Boutique for fast and easy mp3 downloads.
Introductory price is $7.50 and includes the music with and without melody, and the vocal cut.
Both are being sold separately since they were produced separately.
Click on the youtube links (to the left) for previews!
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Written by Shauna
October Release - "Monday, Monday"
Fall is here, and we have a fun release for you! “Monday, Monday” was written by John Phillips and, according to Wikipedia, he claimed to have written it in just 20 minutes. That's what I call inspiration. Released by The Mamas & the Papas in 1966, it quickly rose to #1 on the charts and was the only #1 hit for the group. In March of 1967, the Mamas & the Papas won a Grammy for “Best Pop Performance by a Duo or a Group” for this song.
As we listened to the original song (something we always do in preparation of creating our first rough tracks), Jimmy Mac said, “Man, that sounds like Hal Blaine.” The name didn’t ring a bell for me, so I quickly set about googling it. Sure enough, the drums for the original “Monday, Monday” were recorded by none other than Hal Blaine of “The Wrecking Crew,” a group of studio musicians that were widely used in the 60’s and 70’s. Jimmy has spent time in the studio with Hal (see cool Jimmy-mullet picture), but I was still amazed that his ear could identify that it was Hal’s drumming on the track. Impressive!
The overall Mamas & the Papas sound, and especially “Monday, Monday,” is rich with harmony and background vocals. We did our best to replicate that sound for this release, and it required many tracks of harmony. Of course, if you prefer your singing calls without the backgrounds and harmony, we’ve got that covered too. Just like our choice of male and female vocal ranges, “You CAN have it both ways!”
CHIC 1048 in the male vocal range features my favorite caller, Vic Kaaria.
CHIC 2048 in the female vocal range features my vocal, with backgrounds for both provided by Jimmy Mac, Vic Kaaria, and myself.
To purchase, just head on over to the Chic Boutique for fast and easy mp3 downloads.
Introductory price is $7.50 and includes the music with and without melody, and the vocal cut.
Both are being sold separately since they were produced separately.
Click on the youtube links (to the left) for previews!
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Written by Shauna
September Release - "Le Chic!" Patter
We've been releasing singing calls every month this year (two in some months), so a new patter from Chic was due! We went one better than a new patter FROM Chic...this new patter IS Chic! "Le Chic!" is a medley of three hits from the band, Chic (popular in the late 70's). Even if you don't recognize the name of the band, you're gonna recognize these songs.
This Chic mash-up starts with the smash hit, "Le Freak," before moving on to the cool groove of "Everybody Dance," and then finishing with "Good Times." Jimmy Mac pulled out his monster bass guitar and went to town playing the funky bass grooves of the era. We added just a hint of the background vocal "catch phrases" of each song, and created a second track with no BGV at all, for those who prefer it that way. There is no question that this music will make everybody dance!
CHIC4037(4000 series identifies patters and hoedowns) is an awesome piece of patter music that starts the feet moving from the first beat. One caller actually "complained" that it was a medley. "Each part is so good, I want three separate patters!" No apologies...we love it just as it is. "Le Chic!"
To purchase, just head on over to the Chic Boutique for fast and easy mp3 downloads.
Introductory price is $7.50.
Click on the youtube links (to the left) for previews!
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Written by Shauna
Anniversary Release - "Desperado"
August 22nd marks three years in business for Chic Recordings, so we've decided to celebrate with an Anniversary release! “Desperado” was written by Don Henley and Glenn Frey and first appeared on their 1973 album, “Desperado.” For Chic Recordings, “Desperado” is the song that almost wasn’t. I get many song suggestions and have a constant ear on various music sources. I had considered “Desperado” early on, but it was a passing notion. Some months ago, I saw a post on Facebook that Tony and Kim Oxendine were at an Eagles concert, and Kim had claimed that Tony sings “Desperado” better than the Eagles. My producer mind said, “Hmmmm…I thought about that song before. How cool if we cut it and let Tony sing it…he’s better than the Eagles!”
I pulled up the original song and created a singing call arrangement in my head that I thought would work. We went into the studio and made a rough cut and sent it to Tony. He and I both played with it some, and I discovered that I just could not call to it the way it was cut. He confirmed he was having some difficulty, as well. Back into the studio I went, taking my favorite caller (major Eagles fan) with me. He, Jimmy, and I pulled out all the rhythm tricks we knew to try to make it “dance” and “callable,” without success. Heartbroken, I spoke to Tony at Nationals and told him it just wasn’t going to work.
Vic tells me I’m stubborn, and maybe that is true, because I just couldn’t let it go. As I was driving to the next studio session alone, I had an arrangement epiphany. I arrived in Ventura and told Jimmy, “pull up Desperado again.” We moved things around to the new arrangement, and made some modifications to the rhythm track. It was better. I sent it to Tony, and he agreed. Next studio session, with my favorite caller (and silent partner) in tow, we added some things to the rhythm track, and went forward with some live instrumentation. The magic began to happen, and I knew it was going to work. At the end of the session, I sent a new track to Tony and got the following response, “now this one I REALLY like!!!!!!!!!!!!!” (Exact amount of exclamation points may not be completely accurate.) While Tony played with his track, I took mine to my guinea pigs (aka weekly class) for a test drive. My singing needed some work, but the track was dancing, and the dancers were responding. We had a winner. I knew immediately that THIS was to be the release that celebrates Chic Recordings THIRD anniversary. The singing call that almost wasn’t, “Desperado.”
As everyone knows, I have an amazing staff on Chic Recordings and any one of them would have knocked this song out of the park. In fact, it would have been hard to choose. But since it was Kim’s post about the Eagles concert (and her claim about how great he sings it), that brought the song back to my mind…this one had to go to Tony Oxendine. Tony and Royal Records have been a huge support of Chic from the beginning, and I can’t overstate how appreciative I am for that. As we sat in the studio and added Tony’s heartfelt rendition to the music track, I got goosebumps. It is understated, and it is beautiful. Those are the exact same words I would use to describe Henley’s vocal so when we are talking about who sings it better…I say we’ll call it a draw!
Musically, our rendition of “Desperado” is all Eagles. But everyone knows that Linda Ronstadt also recorded an amazing rendition of this beautiful ballad. In fact, Henley credited Ronstadt for popularizing the song with her early cover, and described her version as "poignant, and beautiful." It is no secret that I love Linda Ronstadt and have recorded a number of Ronstadt songs on both Fine Tune and Chic Recordings. Our inaugural release was a Linda song (You’re No Good), and I had searched for another to be our anniversary release. With “Desperado,” while we don’t actually have a Ronstadt song, we do get a little nod to our beginnings. Singing this song myself was, in short, terrifying. With the support of my favorite caller, and Jimmy Mac (who is not just an amazing engineer, but also an amazing vocal coach)…I stepped into the booth and gave it my best. I recorded mine before Tony sang his (thank goodness, because total intimidation would have stepped in). I sent the female track to Tony, so he could hear what we had done with the finished music and harmonies and he sent me the following text. “Absolutely beautiful vocal. I can’t stop listening.” It made me cry.
CHIC 1046 in the male vocal range features the amazing rendition from Tony Oxendine, courtesy of Royal Records.
CHIC 2046 in the female vocal range features my vocal, with backgrounds for both provided by Jimmy Mac, Charlie Robertson, and myself.
To purchase, just head on over to the Chic Boutique for fast and easy mp3 downloads.
Introductory price is $7.50 and includes the music with and without melody, and the vocal cut.
Both are being sold separately since they were produced separately.
Click on the youtube links (to the left) for previews!
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Written by Shauna
August Release - "Smiling Faces Sometimes"
“Smiling Faces Sometimes” was written for the Motown label by Norman Whitfield and Barrett Strong. The Temptations were the first to record it, with an interesting arrangement (12 minutes worth) intended to bring feelings of fear and timidity. A shorter version was planned for a summer of ’71 single release, but was dropped when their lead singer left the group.
Norman Whitfield then re-recorded the song with his brand-new trio, The Undisputed Truth. Whitfield was known for recording dramatically different versions of the same song, which is exactly what he did here. This new version left the “haunted house” sounds behind, in exchange for a more psychedelic/soulful arrangement. The lyrics refer to “back-stabbing” people who will smile to your face while doing you wrong behind your back. It was released in May of 1971, and quickly rose to #3 on the charts. It’s a great song with a killer hook, and let's face it...square dancing could use a little more Motown!
Staff callers Vic Kaaria and Patty Greene were the perfect choice for these vocals, and they both knocked it out of the park. As usual, background vocals supplied by Vic Kaaria, Jimmy Mac, and myself.
CHIC 1045 in the male vocal range features the great vocal from my favorite caller, Vic Kaaria.
CHIC 2045 in the female vocal range features a vocal with just the right attitude from Staff Caller Patty Greene.
To purchase, just head on over to the Chic Boutique for fast and easy mp3 downloads.
Introductory price is $7.50 and includes the music with and without melody, and the vocal cut.
Both are being sold separately since they were produced separately.
Click on the youtube links (to the left) for previews!
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Written by Shauna
July Release - "You Keep Me Hanging On"
“You Keep My Hanging On” was originally released in 1966 by the Supremes and quickly rose to #1 on the charts in America. In 1986, it was covered by British artist Kim Wilde (a more pop/disco version) and again rose to #1 on the charts in America. In the first 32 years of Billboard’s Hot 100 rock era, only six songs achieved the feat of reaching the number one spot with two different artists. It has been covered by many artists over the years.
For this Chic release, we used the 1986 cover by Kim Wilde for our inspiration. The music is full of energy and dancers are loving it and singing along.
Staff callers Scott Smith and Patty Greene both delivered great vocals, with background vocals supplied by Vic Kaaria, Jimmy Mac, and myself.
CHIC 1044 in the male vocal range features the great vocal from Staff Caller, Scott Smith.
CHIC 2044 in the female vocal range features an equally great vocal from Staff Caller Patty Greene.
To purchase, just head on over to the Chic Boutique for fast and easy mp3 downloads.
Introductory price is $7.50 and includes the music with and without melody, and the vocal cut.
Both are being sold separately since they were produced separately.
Click on the youtube links (to the left) for previews!
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Written by Shauna
Ghost Riders and our NSDC Release - "Precious and Few"
Why do I have pictures of the Ghost Riders, you ask? Because the 67th National Square Dance Convention is just two weeks away, and the Ghost Riders have added even more Chic releases to their playlist! This brings the total number of Ghost Riders Playlist tunes from the Chic catalog to lucky number seven! We are celebrating by putting all seven on sale from now thru 6/30/18, the day the NSDC ends. Prices for the following releases, "Blue California-020," "Cleopatra Queen of Denial-009," "For What It's Worth-015," "Oh Happy Day-040," "Rolling Along-029," "Till There Was You-008", and "You're No Good-001" have already been reduced in the Chic Boutique.
Now for our mid-June pre-Nationals release, "Precious and Few." At the risk of dating myself, I have a keen remembrance of this song being played at school and church dances throughout my early teen years. It has remained a favorite, and I was so excited to bring it to life again for Chic Recordings. Since the song had been cut for square dancing before (quite well, I might add), I knew we had to add something to this production. With one ear on the original release, we did our best to match the sound of Climax in our music. As always, Jimmy Mac did a phenomenal job. Once the lead vocals were recorded, we went about adding the extra magic of background vocals. Early feedback on the new production has been extremely positive, including this from Wade Driver. "Here is a flash. Chic 1043, Precious and Few, is coming out soon. If you can carry a tune, male or female, and don't have this song in your repertoire, you are missing the boat. I just heard it today and it is superb. Will make any caller sound good. Just saying." Well, I'm "just saying"... it's that kind of feedback that makes me want to pinch myself every day.
This ballad was a perfect fit for the voice of Staff Caller, Steve Moore. I’m running out of nice things to say about what Steve brings to the Chic family. He has one of those voices that you could listen to all day long, and never tire of it. He knocked this beautiful song out of the park.
The female key was recorded by producer, Shauna Kaaria (me), and I also added my voice to the background tracks for both the male and female cuts.
CHIC 1043 in the male vocal range features the beautiful vocal from Steve Moore.
CHIC 2043 in the female vocal range features the vocal by Shauna Kaaria (me).
To purchase, just head on over to the Chic Boutique for fast and easy mp3 downloads.
Introductory price is $7.50 and includes the music with and without melody, and the vocal cut.
Both are being sold separately since they were produced separately.
Click on the youtube links (to the left) for previews!